
Performing Arts,
Musical Collaborations
& Artistic Direction
Anna rose to international recognition as an opera singer, performing at Carnegie Hall, Rockefeller Center, and New York Fashion Week. She continues to work across sound design, multisensory storytelling and integrated role-play, artistic direction, music and drama curriculum creation, and immersive learning.

Opera en Code
Role: Co-Creator, Musical Advisor, Vocal Artist
A collaboration between Anna Cley and Ben Cockerham, Opera en code explores the power of downtempo and human voice on the human mind. The 6 tracks take the audience through a cosmic trip about the sudden changes in the world, endless breath and love. Opera en code combines electronic music and opera singing, merging new technology with old tradition to create worlds.

Destinée - The resilience and courage to follow our dreams
Role: Musical Director, Lyricist, Vocal Artist
The past is familiar, part of our journey, part of who we are. We desperately need our past to create our future. In Destinée, Anna offers a new interpretation of a Chopin etude. Anna's song is about the hopes, successes and defeats we all go through when pursuing a calling. It takes courage to listen and trust this voice.

Music & Fashion
Role: Co-Creator, Musical Advisor, Performing Artist
Anna has been involved in several notable collaborations within the fashion industry, particularly during New York Fashion Week. One significant collaboration was with designer Minika Ko. Her runway shows combined the talents of Cley and other artists such as Hung Ping Chang, Andy Lin, and Ben Cockerham, to create multisensory experiences blending fashion, music, and performing arts. Cley performed as a mezzo-soprano, bringing a powerful musical element to the show. The "Kovasky" collection, inspired by the concept of a female James Bond character, was complemented by music and artistic direction that emphasized strength and modernity. Minika Ko's shows are known for their innovative and adventurous spirit, designed for modern, independent women. The collaboration highlighted how different artistic mediums can intersect to enhance the thematic presentation of a fashion collection, making the event a standout at New York Fashion Week.

Kovasky | Kollision
Role: Co-Creator, Musical Advisor, Vocal Artist
Anna Cley and Ben Cockerham started to explore the combination of opera and electronic music for a music and fashion collaboration with designer Minika Ko. From this collaboration, three mystical songs were born: "Origin Story", "The Goddess Lives" and "I'm in a million's people pictures". The songs were released as a part of the album "Kovasky | Kollision".

Opera
Role: Performing Artist, Vocal Artist, Teaching Artist
"A world-class transformative performance by Mezzo-soprano Anna Cley." | EastHampton & 27east
" Ms. Cley is a complete performer. She has a deep understanding of music, and was able to deliver in no time an outstanding performance. " | Andy Lin, Artistic Director of New Asia Chamber Music Society & Violist
"I was immediately struck by her absolute willingness to think outside the box." | Javier Oviedo, Executive Director of Classical Saxophone Project
"I was always struck by her very great stage presence, musicality, and capacity to connect immediately with the audience by the force both of her song and dramatic skills." | Mathieu Ferey, Music Director, City of Paris
Ellen Godfrey for Voce di Meche, January 20
A Masterly Masterclass at the National Opera Center, NYC, USA
“The wonderful French mezzo-soprano Anna Cley gave a masterly masterclass at the American Opera Center. Ms. Cley began the evening singing "Les Berceaux" by Gabriel Fauré and set an example of exemplary singing for the five students she was about to work with. Ms. Cley has a beautiful, dark mezzo voice. [...] Each of [the singers] had made great progress from the teaching of Ms. Cley. At the end, she treated us all to her singing of the "Seguedilla" from Bizet’s Carmen. Her burnished mezzo voice made for a very sexy rendering of the aria.“
Voce di Meche, December 2018
Prima Donnas in Concert at Carnegie Hall, NYC, USA
"The fair and slender Ms. Cley looks nothing like the gypsy Carmen so her performance of the "Habanera" succeeded brilliantly on the basis of vocalism alone and evoked huge applause. This is a dusky voice with the texture of a true mezzo, not just the voice of someone with low notes. She was similarly outstanding in the duet "Belle nuit" from Offenbach's Les Contes d'Hoffmann."
The Boston Musical Intelligencer, May 2019
Carmen, Commonwealth Lyric Theater, Massachussets, USA
"In the title role, mezzo Anna Cley portrayed the strong-willed gypsy with sensual and determined self-confidence; her acting showed absolute conviction with highly musical delivery of text."
Voce di Meche, December 2018
A la Française, National Opera Center, NYC, USA
"To listen to and learn from Ms. Cley was a highly rewarding experience both for us and for the five excellent singers we heard. To set the tone for the class, Ms. Cley herself performed Debussy's "Nuit d'étoiles" far lovelier than we have ever heard it sung before. [...] We hope to attend more of Ms. Cley's upcoming master classes and urge all singer who sing in French to seek a place in her classes."
Marc Taslit, Comedian & Founder of ACTING OPERA
" In an era when one hears many good but "generic-sounding operatic voices, Ms. Cley is possessed of a uniquely rich, substantive, powerful and flexible vocal instrument paired with an equally gifted, trained and disciplined dramatic ability. I am speaking so emphatically because, like the renowned Maria Callas, Ms. Cley is that rare performing artist who possesses both a profound vocal and theatrical intelligence. What Ms. Cley is capable of bringing to the stage can only be de"scribed as captivating, magical and genuinely revelatory.
Extremly rare in operatic acting, she seamlessly physicalizes her genuine emotional responses."
Chrystelle di Marco, Artistic Director of Lux Classic
" I must enhance the rare quality of Anna Cley’s voice. She is a mezzo-soprano of a very rare caliber. Her voice is warm, round, generous and deep. She has the power to captivate her audience, and to touch deeply those who hear her. I have been personally very moved by her singing and I often heard people saying how emotional she made them, or how her voice gave them chills. She has a unique and natural gift that no technics can build. Ms. Cley is an important artist who has a lot to bring to the world. "
JP Joffre, Composer & Bandeonist
" I was so impressed by her exceptional devotion to the art of music making. Ms. Cley is an important and an inspirational artist who I would hope more and more audiences would have the opportunity to experience and to enjoy."
Ben Cockerham, Composer & Musician
" I was thoroughly impressed with her voice, musicianship, and stage presence and she was critical to make the show a success. "
Eugene Wisoff, Conductor
" Of the hundreds upon hundreds of singers I have known and heard in my 50 years as a professional musician, Anna possesses one of the most extraordinary natural voices I have ever heard. It is a world class instrument. "
Saskia Salembier, Opalescences' Artistic Director
" Valued colleague, she is easy to work with, and always pleasant and professional in her demeanor. [...] Ms. Anna Cley is a great operatic artist. "
Napua Davoy, Brave Cool World's Artistic Director
" She operates on an extremely high level of professionalism, sings as if her very life depended on it and gives original, thrilling and inspiring performances always."
Elizabeth Heuermann, NYLOT's Artistic Director
" Anna has a remarkable voice, rich, powerful, and an innate acting ability. An outstanding and very professionnal musician and colleague. "
List of roles performed on stage
Operatic Repertoire
Carmen — Carmen — Bizet
La Nourrice — Ariane et Barbe-Bleue — Dukas
Mamma Lucia — Cavalleria Rusticana — Mascagni
Mme de la Haltière — Cendrillon — Massenet
Charlotte — Werther — Massenet
Second Lady (2. Dame) — Die Zauberflöte — Mozart
Sesto — La Clemenza di Tito — Mozart
Donna Elvira — Don Giovanni — Mozart
Marcellina — Le Nozze di Figaro — Mozart
The Innkeeper — Boris Godunov — Mussorgsky
Nicklausse / The Muse — Les Contes d’Hoffmann — Offenbach
La Frugola — Il Tabarro — Puccini
La Zia Principessa / La Zelatrice / La Badessa — Suor Angelica — Puccini
Dido — Dido and Aeneas — Purcell
Venus / One Siren — King Arthur — Purcell
Maman / La Tasse Chinoise / La Libellule — L’Enfant et les Sortilèges — Ravel
The Angel / The Nanny — The Demon — Rubinstein
Isabella — L’Italiana in Algeri — Rossini
Dalila — Samson et Dalila — Saint-Saëns
Paulina — The Queen of Spades — Tchaikovsky
Eboli — Don Carlo — Verdi
Fricka — Die Walküre — Wagner
Fatima — Oberon — Weber
SOUND SHAPES OUR BEHAVIORS LONG BEFORE IT BECOMES MUSIC
Real change starts from within.